Ender's Game
Destiny was intended for Ender Wiggin; it had to be or else all was lost. Part of a n experimental batch of ultra-gifted children singled out to someday thwart

The personal side of things is as much involved; Ender's older siblings Peter and Valentine share the same genetics albeit dissimilar characteristics. What begins as intellectual pandering by each during Ender's absence soon morphs into a far greater sphere of influence, and in the malevolent Peter's case--far more power. It ultimately falls on Valentine, one person not out to use or harm Ender, to shield him from Peter's malice and the unyielding demands of a broader world.
Ender's Shadow
At the ten

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It may not be Return of the Jedi, but Ender's Game shares that same aura of epic challenge, of hero against the universe (literally) in which the immensity of everything is concentrated into one consciousness. But like good science fiction, Card eases the backstory along steadily giving time for the characters to establish an identity prior the inevitable confrontation. Any perplexing aspects of the futuristic world are well-counterbalanced by private issues more close to home. Ender's 'self' is complex, maintaining ethical boundaries even amidst a high-pressure/high-stakes atmosphere, a trait revealed as much through contrasting characters as with Ender himself. Gifted in an almost warped fashion, the 'child' in Ender isn't always visible; a problem Card may have levied with peripheral characters Peter and Valentine and ultimately complemented with Bean's emergence in Ender's Shadow.
Not merely a sidestory, Bean's evolution from street orphan to battle school and ultimately beyond illuminates his own pivotal role in the saga, entrenched in every dynamic of the story. Bean has his own conscience and crisis' befalling him even as much of his energy helps uphold those very issues in Ender. The two books, each spawning several further sequels, are as separate as they are interlinked within the same-time/same-place/similar-person correlation.
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