Boots, Loki, Sheba. Three dogs in three wars that wagged their take in the face of death. Boots braves the dangers and rats of trench warfare of WW I, Loki pulls a sled in a forgotten front of WW II, and Sheba sniffs out snipers and booby traps in the jungles of Vietnam. A harrowing but hopeful look at the ravages of war and the humanity and canine-ity that comes from unlikely heroes.
This is a gorgeously illustrated and very well measured look at war. It has all the rousing adventure and excitement that is common of classic war movies and stories, but looks at the all-too-high human cost of war. It never turns The Enemy into an evil monolithic force, and invites the reader to both feel the fear of being fired upon and the sadness of having to fire back to survive. Best of all is it has dogs! Great, beautiful, heroic dogs that absolutely leap off the page and into your heart! I felt as much (if not more) tension worrying what would happen to the dogs as I did for the human characters. the book does occasionally stray very close to cliche, but the unique and detailed artwork keeps it from every feeling cheesy or stagnant. Fox uses a slew of clever artistic devices to bring the reader into the action: tight, cramped panels to press the claustrophobia of trench warfare, the use of bright color against expanses of white and light blues to play off the feeling of being all too visible against an invisible enemy, dreams and reality fading into each other for a vet that is still in the jungle even when he make sit home, and more. The only gripe I have is that it perpetuates the long discredited myth of Vietnam veterans being spat upon when returning home. This is a commonly told myth, so it doesn't distract too much from the overall story. If you are a fan of comics, then you have a great beautiful book to read, and if you like war stories at all this could be a great way to break into graphic novels.
You can find Dogs of War in our catalog here.
Showing posts with label indie comics. Show all posts
Showing posts with label indie comics. Show all posts
Tuesday, March 18, 2014
Wednesday, February 26, 2014
Bandette Volume One: Presto! by Paul Tobin art by Colleen Coover YP FIC TOBIN
Bandette is the world's greatest thief! She steals from the dastardly and gives to well, herself, but also to claims adjusters and museums (if the pay is right). And she does so with panache, style, flair, elan, dash, verve, zest, spirit, brio, éclat, vivacity, and gusto! She outwits the long suffering Police Inspector Belgique, matches wits with the other world's greatest thief (the title is currently contested), Monsieur, and draws the ire of the Arch Criminal Absinthe. Can Bandette and her crew of urchin helpers defy the world's deadliest criminal empire? Presto!
This book is flat-out fun. It is (sadly) so very rare to say that about any comics these days. Every one thinks that being moody, violent, and depressing is super mature and deep. This results in a LOT of overly and unnecessarily violent books that all feel sophomoric instead of smart. I mean, even Superman is brooding and dark these days! SUPERMAN! So this retro-cool throwback to heist movies and books of the 60s is a glorious breath of fresh air. Bandette, the carefree thief, who can outsmart everyone and have fun doing it is an antidote to the antihero! The art is as vibrant, colorful, and fun as Bandette herself. It has a simple, painted look of old French posters, that evoke the spirit of energy and motion perfectly. the characters aren't incredibly deep, nor do they need to be. They are fun archetypes that move the clever and absurd plot forward. Also, it is very nice to see a female lead that isn't a pin-up girl wearing as little skin tight clothing as possible. This is a great read for fans of fun, happiness, and comics that are actually comic.
You can find Bandette (but you'll never catch her!) in our catalog here.
This book is flat-out fun. It is (sadly) so very rare to say that about any comics these days. Every one thinks that being moody, violent, and depressing is super mature and deep. This results in a LOT of overly and unnecessarily violent books that all feel sophomoric instead of smart. I mean, even Superman is brooding and dark these days! SUPERMAN! So this retro-cool throwback to heist movies and books of the 60s is a glorious breath of fresh air. Bandette, the carefree thief, who can outsmart everyone and have fun doing it is an antidote to the antihero! The art is as vibrant, colorful, and fun as Bandette herself. It has a simple, painted look of old French posters, that evoke the spirit of energy and motion perfectly. the characters aren't incredibly deep, nor do they need to be. They are fun archetypes that move the clever and absurd plot forward. Also, it is very nice to see a female lead that isn't a pin-up girl wearing as little skin tight clothing as possible. This is a great read for fans of fun, happiness, and comics that are actually comic.
You can find Bandette (but you'll never catch her!) in our catalog here.
Friday, January 17, 2014
Unwritten by Mike Carey art by Peter Gross SF CAREY
Tommy Taylor is a worldwide phenomenon. The boy wizard that has repeatedly bested the evil Count Ambrosio is beloved by people of all ages across the globe, and even has a almost religious following among his most fanatical fans. Tom Taylor is just the son of the author and coasting on his celebrity as the 'inspiration' for Tommy. Then a woman tells him he has it all backwards. He IS Tommy and fiction is far realer than any of us know. Happy to write her off as a raving lunatic, Tom changes his tune when he becomes targeted by a secret society dedicated to controlling all human history and destiny by controlling the stories we tell. This starts an amazing adventure beyond truth, fiction, fantasy, or reality.
This series just keeps getting better and better! It starts as a mystery/thriller and the story keeps twisting and turning and adding all sorts of amazing new layers. The slower start really lets you get to know Tom and watch him grow and falter. It helps build the relationships between Tom and his two companions to something of real substance. What makes the series so great is that Tom isn't just a reluctant hero, he's not necessarily even a hero at all. He has been written to be a hero by his controlling, reality-altering father for ;the greater good', but he balks at heroism at every turn. The book's villains are definitely capital E evil, and raise the stakes remarkably well. However, Carey isn't afraid to upend everything and start anew with Volume 7. The book feels epic in scope and grandeur, without ever feeling forced or corny. It has a lot to stay about the power and source of stories and builds a fascinating and ever growing world of fiction that lies underneath our own. You will find yourself finishing one volume and jumping to the next immediately. You will also find yourself rereading several pages over and over, or even whole issues to relive a big moment. This book has serious complexity and depth and challenges the very notions of what is fiction and what is real. It does it all with a mix of action, adventure, romance, humor, and philosophy that is hard to match in comics today.
The art took a while for me to really appreciate. Peter Gross isn't the flashiest or most detailed artist, but he really does work for this project. He helps ground the book in a sense of reality, so when they interact with the world of fiction it feels momentous. That's hard to do in a comic book, where we are used to impossible things on every page. This is an absolute must read for fans of serious comics, and I think it will make a lot of fans of comics for anyone that gives it a shot.
SIDENOTE: We have volumes 1-7 and a sort of prequel called Tommy Taylor and the Ship that Sank Twice. I'd wait to read it until you've finished Volume 6. That was when it was published and it fits really well there.
You can find the first volume of Unwritten in our catalog here.
Labels:
comics,
fantasy,
Graphic novels,
identity,
indie comics,
reality vs. fiction
Thursday, December 26, 2013
Boxers and Saints by Gene Luen Yang YP FIC YANG
Boxers- Little Bao was happy with his simple life in his small village, but when foreign missionaries smash the harvest idol it leads to a path of destruction for his family. A strange man come to town that teaches the ways of kung fu, he becomes his disciple and later the student of the man's master. He learns the skills to drawn in spirits and gods to become invincible warriors. They realize they must drive out the foreign influence that is killing their nation and kill any, including women and children, that stand in their way.
Saints- Four-Girl. She doesn't even get a name. Born fourth means born unlucky. Four means death, so when she meets a strange doctor that gives free cookies and tells her that a Christian church will giver her a new name, she jumps at the chance. She is reborn as Vibiana, but that rebirth marks her for death. Her visions of Joan of Arc make her want her own calling, but what will it be and will it call for her to suffer the same fate as Joan? The Boxers are slaying Christians wherever they find them and she has put herself right in their path.
This is a brilliant look at cost of war, violence, and oppression. It makes no excuses for the atrocities on either side, while populating the book with all too human characters. Little Bao is driven by heartbreak, desperation, patriotism, and hope. Unfortunately, he is driven to commit atrocities against innocent people. Vibiana is driven to find some sort of destiny after being born cursed. Her early attempts to be a devil are one of my favorite parts of the whole story, as are the young Little Bao's love of Chinese opera. It was very hard to follow Little Bao down a path of darkness and watch him continually betray his own principles. It was hard to watch Vibiana blindly head straight to her own destruction, but in crossing paths they find a way for the death to actually have some meaning, if only for one person. This story of childhood to adulthood makes the death and murder that comes later all the more tragic. Yang has taken a very tricky historical period and looked at it on a human level. He populates the book with various characters of Chinese culture and Christian culture, never questioning their 'reality'. This makes the book a work of not just warring people, nations, and ideas, but of the power and dangers of stories themselves. The book offers no clear heroes and few clear villains, it also offers no easy answers. It does ask very good questions. I think it will lead most readers to seek out more information on the Boxer rebellion and Chinese history, which is always a great thing. Even if it doesn't, it stands by itself as a powerful example of what comics can do.
You can find Boxer in our catalog here and Saints in our catalog here.
Saints- Four-Girl. She doesn't even get a name. Born fourth means born unlucky. Four means death, so when she meets a strange doctor that gives free cookies and tells her that a Christian church will giver her a new name, she jumps at the chance. She is reborn as Vibiana, but that rebirth marks her for death. Her visions of Joan of Arc make her want her own calling, but what will it be and will it call for her to suffer the same fate as Joan? The Boxers are slaying Christians wherever they find them and she has put herself right in their path.
This is a brilliant look at cost of war, violence, and oppression. It makes no excuses for the atrocities on either side, while populating the book with all too human characters. Little Bao is driven by heartbreak, desperation, patriotism, and hope. Unfortunately, he is driven to commit atrocities against innocent people. Vibiana is driven to find some sort of destiny after being born cursed. Her early attempts to be a devil are one of my favorite parts of the whole story, as are the young Little Bao's love of Chinese opera. It was very hard to follow Little Bao down a path of darkness and watch him continually betray his own principles. It was hard to watch Vibiana blindly head straight to her own destruction, but in crossing paths they find a way for the death to actually have some meaning, if only for one person. This story of childhood to adulthood makes the death and murder that comes later all the more tragic. Yang has taken a very tricky historical period and looked at it on a human level. He populates the book with various characters of Chinese culture and Christian culture, never questioning their 'reality'. This makes the book a work of not just warring people, nations, and ideas, but of the power and dangers of stories themselves. The book offers no clear heroes and few clear villains, it also offers no easy answers. It does ask very good questions. I think it will lead most readers to seek out more information on the Boxer rebellion and Chinese history, which is always a great thing. Even if it doesn't, it stands by itself as a powerful example of what comics can do.
You can find Boxer in our catalog here and Saints in our catalog here.
Labels:
Boxer Rebellion,
comics,
Graphic novels,
historical fiction,
indie comics,
violence,
war
Monday, December 23, 2013
RASL by Jeff Smith SF SMITH
Rasl is a thief. He can break into almost anywhere, steal priceless works of art, and disappear without a trace. It's easy. He just has to jump between parallel worlds! He used to be Robert Johnson, the military physicist that found the lost journals of Nikola Tesla and used them to develop the technology to jump between worlds, but after horrible betrayal and irrevocable loss he is a thief on the run with little left to live for. Then he finds that he isn't the only one jumping between worlds. The government has found him and will do anything and kill anyone to get Tesla's secret diaries. If Rasl can't stop them then they'll rip a whole big enough to destroy all parallel worlds.
This is the best work Jeff Smith has done since his masterpiece Bone. It uses the unique language of visual storytelling to be much more than just an amazing noir science-fiction adventure. It is a dark and sad look at fate, love, loss, and the drive to know what makes the very universe run. Smith doesn't do very much to make Rasl very likeable. He's fairly down and almost all the way out when we meet him, and its only revenge that drives him through a lot of the story. Its through revealing his past piece by piece and having Rasl face it piece by piece that he becomes the story's hero. It also helps that eh gives us a truly repellant and malevolent villain to root against in the lizard faced Agent Crow. Crow is gleefully willing to murder again and again, because he sees parallel worlds as a sick perversion of reality that he has to exterminate. it makes for a more driven and interesting foil than a simple 'company man'. I called it noir science fiction, because it is clearly inspired by two-fisted hardboiled crime fiction and a good dose of classic sci-fi. It is not the first to mix the two by a long shot, but it is definitely the best graphic novel to do so. My only gripe is that the idea of Tesla as the genius that discovered secret science powers and lost them to history becoming a pretty tired cliche. Fortunately, the use if Tesla is very thoughtful and has deep thematic resonance to the story in RASL. This is not just a must read for older serious comic fans, but a must obsess over. it has all the propulsive drive that Bone had that makes you rush through your first reading, and like Bone it has so much texture and detail to make it worth revisiting again and again. Now that Smith has the best all ages fantasy comic epic ever and the best dark and gritty science fiction comic, there's no telling what is next.
You can find RASLin our catalog here.
This is the best work Jeff Smith has done since his masterpiece Bone. It uses the unique language of visual storytelling to be much more than just an amazing noir science-fiction adventure. It is a dark and sad look at fate, love, loss, and the drive to know what makes the very universe run. Smith doesn't do very much to make Rasl very likeable. He's fairly down and almost all the way out when we meet him, and its only revenge that drives him through a lot of the story. Its through revealing his past piece by piece and having Rasl face it piece by piece that he becomes the story's hero. It also helps that eh gives us a truly repellant and malevolent villain to root against in the lizard faced Agent Crow. Crow is gleefully willing to murder again and again, because he sees parallel worlds as a sick perversion of reality that he has to exterminate. it makes for a more driven and interesting foil than a simple 'company man'. I called it noir science fiction, because it is clearly inspired by two-fisted hardboiled crime fiction and a good dose of classic sci-fi. It is not the first to mix the two by a long shot, but it is definitely the best graphic novel to do so. My only gripe is that the idea of Tesla as the genius that discovered secret science powers and lost them to history becoming a pretty tired cliche. Fortunately, the use if Tesla is very thoughtful and has deep thematic resonance to the story in RASL. This is not just a must read for older serious comic fans, but a must obsess over. it has all the propulsive drive that Bone had that makes you rush through your first reading, and like Bone it has so much texture and detail to make it worth revisiting again and again. Now that Smith has the best all ages fantasy comic epic ever and the best dark and gritty science fiction comic, there's no telling what is next.
You can find RASLin our catalog here.
Wednesday, September 25, 2013
War Brothers: The Graphic Novel by Sharon E. McKay Illustrated by Daniel Lafrance YP FIC MCCAY
They came in the night. They killed anyone that got in their way and they took the boys. They march them through the jungle. They are told they fight for God now and only soldiers eat. They are the Lord's Resistance Army and they are ruthless killers that use children as soldiers. They are told that God does not protect the weak, so anyone that falls from hunger is left to die. This is the story of one group of friends that tries to escape before they become killers or killed.
This is a harrowing book. The immediacy in which the LRA comes and turns the kids lives completely upside down is horrifying. The depiction of the LRA as indiscriminate murders, rapists, and enslavers of children is sadly very accurate. The horror that the book explores could actually have been far worse than it is. Wisely, McCay shows us just enough to shock and appall us without becoming exploitative of the very real tragedies this book is based on. The dialogue is sometimes a little straightforward and stiff, but the book manages to shine in so many of the pivotal moments of carnage or heartsickness. The art works very well for the story. The panels stay very tight on the faces of our protagonists and villains intensifying the trapped sensation. Lafrance uses shadow and color to intensify the tension and violence, without having to have gratuitous gore. I think this is a wonderful use of the medium to explore the horrors of war, especially a war fought by children.
You can find War Brothers in our catalog here.
This is a harrowing book. The immediacy in which the LRA comes and turns the kids lives completely upside down is horrifying. The depiction of the LRA as indiscriminate murders, rapists, and enslavers of children is sadly very accurate. The horror that the book explores could actually have been far worse than it is. Wisely, McCay shows us just enough to shock and appall us without becoming exploitative of the very real tragedies this book is based on. The dialogue is sometimes a little straightforward and stiff, but the book manages to shine in so many of the pivotal moments of carnage or heartsickness. The art works very well for the story. The panels stay very tight on the faces of our protagonists and villains intensifying the trapped sensation. Lafrance uses shadow and color to intensify the tension and violence, without having to have gratuitous gore. I think this is a wonderful use of the medium to explore the horrors of war, especially a war fought by children.
You can find War Brothers in our catalog here.
Monday, August 12, 2013
Sunny by Taiyo Matsumoto YP FIC MATSUMOT
The story of an orphanage in a small Japanese town, the kids that live in it, and a broken down Nissan Sunny 1200. Their hopes, dreams, and loves seem are all shown in vivid relief next to the shame and stigma of being cast offs.
This is not a fighting giant robots, magical girl, comic love romp, or any other of the well-worn genre staples. This is a completely unique work. It has a striking visual style that mixes manga and European comic art to create something unlike any other comic being published. it has it's own slow, wan style that feels more like a Japanese art house film than a comic. It is an at turns sad and funny look at growing up when you're cast off. There isn't a grand over arching plot, instead there are short vignettes with each chapter looking at either a different character or a different facet at growing up surrounded by people that are all alone. It's a beautiful look at nostalgia, loneliness, longing, and the ache of hope. I think it might end up being his finest work when it's completed. Which is saying a great deal because I absolutely LOVED GoGo Monster (reviewed here) and Tekkonkinkreet (reviewed here). If you enjoy comics as a valuable artistic medium, then you just have to give Sunny a try.
You can find Sunny in our catalog here.
This is not a fighting giant robots, magical girl, comic love romp, or any other of the well-worn genre staples. This is a completely unique work. It has a striking visual style that mixes manga and European comic art to create something unlike any other comic being published. it has it's own slow, wan style that feels more like a Japanese art house film than a comic. It is an at turns sad and funny look at growing up when you're cast off. There isn't a grand over arching plot, instead there are short vignettes with each chapter looking at either a different character or a different facet at growing up surrounded by people that are all alone. It's a beautiful look at nostalgia, loneliness, longing, and the ache of hope. I think it might end up being his finest work when it's completed. Which is saying a great deal because I absolutely LOVED GoGo Monster (reviewed here) and Tekkonkinkreet (reviewed here). If you enjoy comics as a valuable artistic medium, then you just have to give Sunny a try.
You can find Sunny in our catalog here.
Labels:
coming-of-age,
indie comics,
manga,
orphanages,
orphans
Monday, July 22, 2013
Bad Machinery: The Case of the Team Spirit by John Allison YP FIC ALLISON

This book is absolutely hilarious. It is filled with clever gags, great characters and at least one joke on every page! The book is a recurring webcomic (read it here), so that means every page has to have at LEAST one joke and forces the funny to be on the money. The cast of sort of wonky 12 year-olds looking for something to do really drives a lot of the jokes. They're in the middle of not being silly kids anymore and having no clue of how to start being teenagers. Allison has absolutely crackling dialogue and knows how to use lettering and pacing to maximize his jokes. My favorite bit has to be when Mildred points out how illogical ghosts are, because if ghosts DID exist they would absolutely show up every time an American president made a speech to make fart noises. He also makes all the side characters wonderfully weird. Even the mysteries which are silly and solved in a ludicrously lazy fashion by the kids pay off very nicely. there are quite a few Britishisms, but they usally make sense in context and there is a helpful glossary in the back. All in all it's a must read for any one that likes their comics actually comic.
You can look for Bad Machinery: The Case of the Team Spirit here.
Labels:
comedy,
comics,
high school,
indie comics,
mystery,
soccer
Wednesday, April 24, 2013
Cursed Pirate Girl by Jeremy A. Bastian YP FIC BASTIAN

This is a true treasure. It begs for very, very close reading, because
the illustrations are so finely detailed. Each beautifully illustrated page is chock
filled with wonderful humor, hidden gags, and intricate details. This is a book that is meant to be reread
many times to spot all the little hidden touches as well as enjoy the hilarious
and whimsical main storyline. It’s a
weird and hilarious mix of Alice in
Wonderland , Little Nemo, and classic pirate dime store novels. It feels
both classic and timeless the first time you read it. CPG is a great heroine, because she’s strong,
resourceful, and almost insanely fearless. There’s also a lot more to this book
besides whimsy and swashbuckling.
Bastian skewers classism, empire, and all other manners of pettiness and
hypocrisy. Another great touch is the
books design. It has rough-hewn edges for every page and thick paper to make it
feel like a very old book. It is absolutely the best graphic novel I have read
all year and it is going to be incredibly hard to top.
You can check our catalog for Cursed Pirate Girl here.
Labels:
adventure,
fantasy,
Graphic novels,
humor,
indie comics,
pirates
Monday, March 25, 2013
Hellboy: The Bride of Hell and Others by Mike Mignola Illustrated by Rixhard Corben, Kevin Nowlan, and Scott Hampton YP FIC MIGNOLA
He was summoned from hell, but fights on the side of
the angels. Hellboy continues his unending quest to fight all forms of evil in
this collection of short comics. He
faces a carnivorous house, vampire Mexican wrestlers, space aliens that dabble
in the occult, vengeful mummies, ghost cows, and even more!
The various anthology collections of Hellboy are always
some of his most fun, weird adventures, and this is definitely towards the very
top of his best shorts collection.
Mignola very rarely draws anymore, but he is so well respected in comics
that he can get the best illustrators in all of comics to work with him. Both Richard Corben and Kevin Nowlan were all
but retired, and Mignola was able to convince them to draw full comics. This makes for some of the most richly drawn,
inventive horror comics being drawn today.
The stories are all short and pack a lot of great twists, gags, and
sublime weirdness in as few panels as possible. My personal favorites have to be the vampire ghost story and the story about the house that eats people. However all the other stories are just as perfectly bizarre. All in all this is a must read for fans of comics of all stripes, and
might make a great stepping in point for people looking to get into comics.
You can check our catalog for The Bride of Hell and Others here.
Labels:
comics,
Graphic novels,
horror,
indie comics,
science fiction
Tuesday, January 8, 2013
Scott Pilgrim’s Precious Little Life: Color Edition by Bryan Lee O’Malley YP FIC OMALLEY

Okay, I know I already gave a rave review to the Scott
Pilgrim series, so it may seem silly to re-review a book just because it’s in
color. Who do I even think I am, Ted
Turner!? Well, I understand your
skepticism and must admit that I too was skeptical of a Colorized Scott
Pilgrim, cynical even. However, the
superb job Nathan Fairbarn (the ONLY colorist I’ve yet to praise by name) did
on this book really makes it worth a second look even if you have already read
the series. I rarely find a series that changes so much with the addition of
color as this one. It adds a new depth to the art and the new larger pages are
dynamite. Maybe even best of all is the
extra content at the back. There’s
character design sheets and stories about how O’Malley came up with all the
names and designs and ideas in the book!
Scott Pilgrim fans simply HAVE to read this and Soon-to-Be-Scott-Pilgrim-Fans
should read it too. I think anyone with
an even passing interest in comics or manga should give this one a try.
You can check our catalog for Scott Pilgrim’s Precious Little Life: Color Edition here.
Labels:
action,
comedy,
comics,
dating,
fighting,
Graphic novels,
humor,
indie comics,
love
Tuesday, December 11, 2012
Johnny Hiro: Half Asian, All Hero by Fred Chao YP FIC CHAO
Johnny Hiro is not a hero…really. He just minds his own business and tries to (barely) make ends meet and keep from ruining things with his girlfriend. Sure he may occasionally have to face down a giant monster, business men turned samurai, or the FEARSOME WRATH OF JUDGE JUDY, but that’s just what life in the big city is like.
This is a surprisingly hilarious graphic novel that
brings out the comic side of comics. The
art is sort of loose and sometimes feels amateurish compared to some more
accomplished draftspersons, but the off-kilter, absurdist humor won me over
again and again. Johnny is a slacker,
20-something without much ambition, drive, or vision, but he slowly grew on me. He may not want a lot out of life but he
fights zealously for what’s important to him as bizzarro situations come left
and right. I mentioned above that he has
to face down Judge Judy and I was not joking.
What’s even better is that he faces her in night court, but not any night
court, Night Court. The much loved mid 80s-early 90s sitcom
starring John Larroquette, Markie Post, Richard Moll, Charles Robinson, and
Marsha Warfield. ALL of which are in
this comic in a pitch perfect recreation of the series. The book also features
NYC mayor Bloomberg, LL Cool J, Alton Brown, and many other completely
hilarious unnecessary cameos. These types of off the wall tributes to ENTIRELY
dated 80s and 90s pop culture keep things fresh and liven up what could be
another karate/samurai/Asian sterotype montage send up. And we do have LOADs of Japanese stereotypes
thrown around for humor, but they are done in a way that looks playfully at the
nature of stereotypes and the difficulties of living between differing cultures.
This is a very original and out there comic with loads of humor and some real
heart. I’d highly recommend it to comic
fans who like a good dose of humor and especially the Scott Pilgrim fans out there.
You can check our catalog for Johnny Hiro here.
Labels:
comics,
culture,
Graphic novels,
humor,
identity,
indie comics,
love
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